((avatar)) Posted By: ThomasKoch
Posted On: August 27, 2008 | 9:55 am
Free Film Festivals - No Submissions

I recently came across this little gem of a website: http://filmfestivalsecrets.com/no-fee/index.html

Film Festivals with no entry fees are something that are needed for a lot filmmakers.

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((avatar)) Posted By: ThomasKoch
Posted On: August 22, 2008 | 8:16 am
RED workflows done right

Studio Daily has a great article about different Post Workflowsfor the RED ONE digital Cinema Camera. My favorite quote from the piece is the following:


Quote:

"We spent many hours of trial and error working with this new Red format before we got into jobs like Eric's, so we knew exactly what to expect and how do deal with any challenges that could arise. As with any new format, there are going to be hiccups but we knew what to expect and we were able to work through them" explains Slinger.



That is the basis of all post workflows, be it, HDV tape, P2, Film, or RED. This is how we were able to have a successful 48 hour film project.

Thomas A. Koch

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((avatar)) Posted By: ThomasKoch
Posted On: August 19, 2008 | 9:13 pm
RED Audio news.

"There's no audio in the RED Camera." "The audio doesn't work." "How are you recording audio? I thought there was no audio input to the RED."

Those are actual comments from people I've talked to about the RED ONE digital cinema camera. There's a reason people have these questions and there is a reason I'm writing this blog right now.

When the RED ONE began shipping in 2007 the camera was still in Beta form. There were so many thing unfinished in the camera many people were and still remain skeptical. RED chose to release the camera, knowing full well it would not be fully operational for quite some time. People still jumped on the RED and have shot some fantastic projects on it. As of today, we have come a long way with the camera.

For starters, the audio didn't appear until December 28, 2007 with Build 12 of the firmware, just shy of 4 months of it's initial release. That release only numbering 25 cameras. With each build, audio and video improvements were made, with the current build numbered 16. Build 17 is currently in development and testing.

Sound Devices has released a statement about the RED ONE audio. This boils down to two things. One: Do not use the microphone levels for the input. Use the line level input setting. TWO: With Sound Devices mixers or pre-amps follow the included instructions.

The next major move in the audio realm, is that RED has announced it has created a NEW AUDIO BOARD to fix any issues the previous design had. This board will be available for free of charge to all current RED ONE cameras and will be shipped with the new cameras shipping from September forward.

On our 48 hour film The Last Job we used the Sound Devices Mix Pre, generously supplied by Mark Whelan and all went without a problem.

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((avatar)) Posted By: ThomasKoch
Posted On: August 12, 2008 | 9:03 pm
Red workflow article in Digital Content Producer

Over at Digital Content Producer there is an article about a music video production shot on the RED Digital Cinema Camera. They highlight a workflow problem they have with the camera. They list things that didn't work, and problems that they had, which really boil down to one thing: They didn't have post worked out before they shot. They didn't know how to make post work on the RED. It's not hard. It's not rocket science. But it does have to be in place before you are ready to edit.

RED has a quick workflow diagram on their site.

While I admit, this is a very simplified version, it's pretty close.

So, when we were getting ready for the 48 hour film project in San Francisco, I tested tested and tested every night for a week. I dealt with the same issues of Quicktime versions not working with the proxies and the slow down in build 16. But a week before our shoot, I solved all the issues allowing the editor to work in real-time with the H resolution (2K) proxy files. We had a lot of shots in our 8 minute film, and we were able to do it all in a 48 hour period.

In all things film, the key is pre-production.

Thomas A. Koch

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((avatar)) Posted By: Sinohui
Posted On: August 9, 2008 | 11:07 am
iTunes, Upload and the Future of Digital Filmmaking

As many of you know, I also work within the distribution business at a new studio, but one question that I get from both new filmmakers and veterans, is how to get their films up on iTunes. I just got an email yesterday with that very question.

So here I am, wading through contracts from a bunch of different companies to do just that (for our studio), but just as I was going to write up a long post about how you too can get your content going through the Apple-verse, I found a great blog that does just that. Scott Kirsner is an accomplished writer and has kept this blog going since 2005.

http://cinematech.blogspot.com/


Check it out, there is some great info there - I check out their blog regularly, maybe you should too.

Cheers,

Sinohui

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((avatar)) Posted By: Sinohui
Posted On: August 6, 2008 | 9:26 am
U.S. Premiere of THE NOTHING MEN - USC

For those of you in the Los Angeles area this evening, the USC School of Cinematic Arts will be host a premiere of The Nothing Men, the first feature film shot exclusively on the RED Digital Cinema Camera in Australia. Heard a couple of rumors that the screening was sold out, but if you have friends or faculty over there - try to check it out.


Oh, one more thing. Turns out the the good folks over at RED, caught a glimpse of our trailer for The Last Job and IF they can transfer the footage to a D-5 Digital Master, it will play prior to the screening tonight at USC.

Pretty cool, huh?

For more details, check out:
http://cinema.usc.edu/about/events/event_20080724.htm

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